Troublemakers and Prophets

Elizabeth Allen and Other Visionary Artists

Exhibitions
Saturday 28th March - Monday 31st August 2026

 

"From detailed beadwork to large-scale sculpture, these pieces transform everyday chaos into something fantastical, reflective and urgent." 

 

About the Exhibition

Discover a bold, immersive exhibition exploring art, isolation and extraordinary vision. 

Elizabeth Allen’s creations are absurd, darkly funny, and strikingly prophetic. In this exhibition she is joined by a host of other “visionary artists” who invite you to step into a vibrant, topsy-turvy world where 12 of her works are displayed alongside more than 15 artists who also saw life differently. Over four rooms, explore bold responses to contemporary life from artists who turn struggle into powerful visual statements.  

Known as Queen, Allen was on the cusp of wider recognition when she died in 1967, after years of living in a cabin in the forest. Her work reveals a life shaped by fierce conviction and apocalyptic vision. This exhibition includes the first public showing of Queen’s handmade textile autobiography – the ‘Autobiraggraphy’. 

Queen’s textile proclamations lead a chorus of works made from fragments – toys, furniture, clothing, news, religion and folklore. From detailed beadwork to large-scale sculpture, these pieces transform everyday chaos into something fantastical, reflective and urgent. 

 

Troublemakers and Prophets features work by

Elizabeth Allen, Eleanor May Watson, Helen Chadwick, George Storm Fletcher, Lou Lou Sainsbury, Grace Currie Magic Artist, Uma Breakdown, Louise Odes Neaderland, Lily van Oost, Sian Newlove-Drew, Jesse Jones, Penny Slinger, Mireille Delice, Suzanne Treister, Saroj Patel, Rebecca Nassauer, Grace Ndiritu, Aradne and the Rita Keegan Archive Project (with patchwork contributions by  Ego Ahaiwe Sowinski, Ajamu, Charlie and Kate Boxer, Pat Brown, Althea Greenan, Catherine Grant, Joy Gregory, Anna Harding, Hiroko Hagiwara, Zhi Holloway, Terry Humphrey, Bhajan Hunjan, Symrath Kaur Patti, Amoke Kubat, Samia Malik, Ruth E. Morgan, Virginia Nimarkoh, Georgina Obaya Evans, Elizabeth Oniri, Ingrid Pollard and Olive Pollard, Raju Sachi Singh, Michelle Williams Gamaker, Jacqueline Wright, Keegan Xavi, Rehana Zaman)

Prices and Information

Booking is required 

Location & Navigation 

  • The exhibition is located on the first floor and can be accessed by lift or via 27 steps (split into three sections, with handrails on the left when ascending).
  • Go through the Chinese gallery space. You’ll see the exhibition title on the wall through a doorway straight ahead of you.
  • The exhibition is made of four consecutive rooms. You enter and exit the exhibition via the same door.

Labels

  • Before you enter the gallery space, on the walls of the corridor, there is a timeline of Elizabeth Allen’s life and an introduction to the exhibition.
  • The interpretation text for each artwork is printed on matte wall-mounted labels in font size 18.
  • There are large print versions of the labels together in a handout just inside the exhibition by the entrance.
  • There are small wall-mounted hand icons by pieces you can interact with and touch.
  • There are wall-mounted QR codes next to 11 of the works on display. Scan this code with the camera on your smartphone to listen to an audio description of the work followed by further insight and context about the piece.

Lighting

  • The blinds on all windows are closed throughout, meaning there is no daylight.
  • The lighting level throughout the exhibition measures 50 lux.
  • Some exhibits are spot lit. There is a luminous artwork on the wall in the first room – it’s a photo mounted on a light box.
  • In the second room, there is a holographic light fan positioned high on the wall in the right hand corner (as you enter). This gives a flickering effect. If you have Epilepsy, please speak to a member of the team as the fan can be paused.

Seating

  • There is one cushioned seat with a back in the second room, positioned to watch a film.
  • There are two sofas in the fourth room, positioned to watch a separate film.
  • Light, folding, portable stools are available and can be collected from a rack situated outside the lift on the first floor landing.

Sensory

  • There is a member of the Compton Verney team stationed in each of the four rooms. They are there to look after both you and the art on display.
  • There is a small projector in the first room. You push a button to start the carousel of slides. There is a quiet ticking noise as the slides move through their sequence.
  • There is a holographic LED light fan in the second room which flickers. Please speak to a team member if you have Epilepsy; we can temporarily pause this for you.
    • The fan emits a soft ‘white noise’.
  • Also in the second room, a short film (3 mins) is projected onto the wall. There are headphones available to hear the sound. The speech is subtitled.
  • In the final room, there is a film playing on a large screen with speaker sound. At points, this is loud and you may be able to hear it in the third and second room.
  • On the walls, next to the artworks by Elizabeth Allen are tactile labels that have been made by Compton Verney volunteers; each one closely matches the design and materials used in the artwork it relates to. You are welcome to touch these.
  • There are wall-mounted QR codes next to 11 of the works on display. Scan this code using the camera on your smartphone to listen to an audio description of the work followed by further insight and context about the piece.
    • Each recording lasts between two and three minutes
    • You can listen to them in any order
    • Visitors may be listening to the audio tour quietly on their phones as you walk through the gallery spaces
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We advise you check with the venue regarding any chances to their opening time / availability before arriving